Reconstruction as trope of cultural display. Rethinking the role of “living exhibitions”
DOI:
https://doi.org/10.5617/nm.3047Keywords:
living exhibitions, exhibition history nineteenth and early twentieth century, Sámi, cultural reconstruction, folk-ethnographic displays, open-air museums, zoological gardens, Skansen, Sámi encampments, international expositions, wax museumsAbstract
During the nineteenth and early twentieth century, a new and particularly widespread type of exhibition practice occurred all over the Western World, namely “living exhibitions”. They were characterized by the display of indigenous and exotic-looking peoples in zoological gardens, circuses, amusement parks, various industrial expositions, and major international expositions where representatives of indigenous and foreign peoples from all over the globe performed their everyday life in reconstructed settings. Entire milieus were recreated by bringing along dwellings, animals, objects, etc. Eventually this would also become the dominant trope of display in folkloric exhibitions. Nevertheless, the living exhibitions have not been regarded as in uential to this development. Instead, the trope has most commonly been accredited to the Swedish folklorist Artur Hazelius. In this article, I stress the importance of situating his display techniques and museological ideals within a wider context, most importantly the living exhibitions. The emphasis will be on the display of Sámi.
Downloads
Issue
Section
License
Contents published in editions of The Journal Nordic Museology in volumes predating 2017 are protected by the Norwegian Law of Copyright. This means that text and images published in these volumes can only be shared and republished with written permission from the author and/or photographer. Starting from 2017, the content published in The Journal Nordic Museology is - unless otherwise stated - licensed through Creative Commons Licence CC BY-NC-ND.4.0. This means that content can be copied, distributed and disseminated in any medium or format under the following terms:
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- Non-Commercial — You may not use the material for commercial purposes.
- No Derivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material. Authors who publish in Nordic museology accept the following conditions:
Authors(s) retains copyright to the article and give Nordic Museology right to first publication while the article is licensed under the Creative Commons Lens CC BY-NC-ND 4.0 This license allows sharing the article for non-commercial purposes, as long as the author and first publishing place (The Journal Nordic Museology) is credited. The license does not allow others to publish processed versions of the article without the author's permission.
The author is free to publish and distribute the work/article after publication in Nordisk Museologi, while referring to the journal as the first place of publication. Submissions that are under consideration for publication or accepted for publication in Nordisk Museology cannot simultaneously be under consideration for publication in other journals, anthologies, monographs or the like. By submitting contributions, the author accepts that the contribution is published in both digital and printed editions of Nordisk Museology. For more about publication, see the Author Guidelines.