Singing Samarra (861-956): Poetry and the Burgeoning of Historiography upon the Murder of al-Mutawakkil

Authors

  • Samer Mahdy Ali

DOI:

https://doi.org/10.5617/jais.4576

Abstract

Historiography on the patricide/regicide of the Caliph al-Mutawakkil (d. 861) developed from a stage of simple description to a burgeoning of mytho-historical narrative. It would appear that what began as a palace scandal—profaning to a putatively sacral community already torn by civil war—developed into a redemptive tragedy with perennial appeal. In a patronage society governed by loyalty to one’s patron or father, this transformation should count as nothing less than conspicuous. This article examines the role of a major Abbasid poet, al-Buḥturī (d. 897), in shaping public perception by cultivating genuine sympathy for the Abbasids and planting the seeds of questions that would be addressed in historical narratives. In particular, I discuss the importance of literary salons or gatherings as a social institution where poetry and historical narratives were recited orally as a means of transmitting knowledge to future generations. These gatherings provide a likely forum where mythic questions of poetry could inspire narrative.

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How to Cite

Ali, S. M. (2017). Singing Samarra (861-956): Poetry and the Burgeoning of Historiography upon the Murder of al-Mutawakkil. Journal of Arabic and Islamic Studies, 6, 1–23. https://doi.org/10.5617/jais.4576

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Articles