Pop Music
An array of Egyptian and Tunisian lifeworlds in 2016
DOI:
https://doi.org/10.5617/jais.9519Abstract
An array of Egyptian and Tunisian lifeworlds in 2016.
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ARRAYS: ʔAlsh | Apartment Wanted | ʿAshwāʾiyyāt | Baby Milk | Celebrities | Clash | Commemoration / Memorial Days | Conversions | Court Trials | Crowdfunding | Dancing | Disappearances | Disasters | Dollar Crisis | Downtown/Centre-ville | Dual Identities / Masking | Éveil d’une nation / Ṣaḥwat umma | Father Figures | Football | Garbage | Gated Communities / Compounds | Hashish | High School Exams | The Honourable Citizen | In Islam, … | Kamīn | Language | LGBT | Manīsh msāmiḥ | Migration | Mobile Phones | The Policeman Criminal | Pop Music | Prison | Psychiatrists | Public Hearings | Red Sea Islands | Self-help | Social Media | Suicide | The Suspect Foreigner | Tourist Resorts | Tricking the System / Tricked by the System | Tuk-tuk | Uber | Valentine’s Day | The Voice from Above | Zaḥma
CODES: Affluence vs. Destitution | Beautiful vs. Ugly | Center vs. Periphery | Freedom vs. Constraint | Hope vs. Hell | Inferiority vs. Superiority | Male vs. Female | Normality vs. Heroism | Past vs. Present | Security vs. Fear | “The System” vs. “The People” | True vs. False | Voice vs. Silence | Young vs. Settled
CODES COLLAPSED: Hope = Hell (Dystopia) | Inferiority = Superiority (Satire) | Normality = Heroism (Surviving) | Present = Past (Stuck) | Security = Fear (Police State) | True = False (Life in Limbo)
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