Exile and Homeland Trauma: Constructing Memories in Rithy Panh’s The Missing Picture
DOI:
https://doi.org/10.5617/myn.8666Abstract
This article focuses on the question of an exiled artist’s representation of traumatic and missing memories. Through an analysis of Rithy Panh’s documentary The Missing Picture (2013), the paper discusses the relationship between memory and imagination, the risk of forgetting and the attempt to create a new picture of a repressed past.
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2021-03-05 — Updated on 2021-03-05
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- 2021-03-05 (2)
- 2021-03-05 (1)
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