Urban Space and Ritual: Constantinople in Late Antiquity

Authors

  • Franz Alto Bauer

DOI:

https://doi.org/10.5617/acta.5664

Abstract

With the foundation of Constantinople, Constantine the Great created a cuty highly successful in meeting the requirements of imperial self-representation. Imperial monuments raised at the city’s most important intersections rendered the ruler omnipresent, even inescapable. Late emperors followed this pattern and occupied important sites of the cityscape with commemorative monuments which glorified the ruling dynasty. Along the Mese, the main east-west axis of the city, one imperial forum followed another, thus presenting the viewer with a series of monuments lined up like so many pearls on a string. The construction of these spaces for imperial representation went hand in hand with the development of their ritual function as each emperor attempted to transform his forum, his monument, into the target-point of city-wide processions. This development resulted in a contest between emperors past and present in which older monuments and fora finally lost ceremonial prominence, surrendering it to those created by the present ruler. In addition, more and more churches were built by the emperor, members of his family, and private benefactors withing an outside the city. After the end of Justinian’s reign, the most important of these churches began to substitute the imperial fora as departure points, stations, and destinations of citywide processions. As the emperor ceased to be regarded as the guarantor of the city’s safety, Christ and the Mother of God assumed the role as the city’s divine protectors and defenders.

How to Cite

Bauer, F. A. (2020) “Urban Space and Ritual: Constantinople in Late Antiquity”, Acta ad archaeologiam et artium historiam pertinentia, 15(1 N.S.), pp. 27–61. doi: 10.5617/acta.5664.