Archives

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  Tools for Transformation. Liturgy and Religious Practice in Late Antique Rome and Medieval Europe

  Vol. 31 No. 17 N.S. (2019)

  Ediderunt Line Cecilie Engh, Stefka G. Eriksen, Francis F. Steen, Christopher Prescott.

  On cover:
  Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.
  Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.

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  (TOC, abstracts and full text)

  Vol. 30 No. 16 N.S. (2018)

  Ediderunt Siri Sande, Christopher Prescott, Manuela Michelloni

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  (TOC, abstracts and full text)

  Vol. 29 No. 15 N.S. (2017)

  Ediderunt Siri Sande, Christopher Prescott, Manuela Michelloni

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  (TOC, abstracts and full text)

  Vol. 28 No. 14 N.S. (2015)
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  (TOC and abstracts)

  Vol. 27 No. 13 N.S. (2014)
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  From site to sight (TOC and abstracts)

  Vol. 26 No. 12 N.S. (2013)

  The transformation of place in art and literature.

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  Recycling Rome (TOC and abstracts)

  Vol. 25 No. 11 N.S. (2012)
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  Inscriptions in liturgical spaces (TOC and abstracts)

  Vol. 24 No. 10 N.S. (2011)
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  Private and public in the sphere of the ancient city (TOC and abstracts)

  Vol. 23 No. 9 N.S. (2010)
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  Women as subject and object (TOC and abstracts)

  Vol. 22 No. 8 N.S. (2009)
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  Mater Christi (TOC, abstracts and full text)

  Vol. 21 No. 7 N.S. (2008)
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  Continuatio et renovatio (TOC and abstracts)

  Vol. 20 No. 6 N.S. (2006)
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  Sacro e profano (TOC and abstracts)

  Vol. 19 No. 5 N.S. (2005)
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  The "Demiourgos" (TOC and abstracts)

  Vol. 18 No. 4 N.S. (2004)
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  Rome AD 300-800: power and symbol - image and reality (TOC and abstracts)

  Vol. 17 No. 3 N.S. (2003)
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  (TOC and abstracts)

  Vol. 16 No. 2 N.S. (2002)
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  Imperial art as Christian art - Christian art as Imperial art (TOC and abstracts)

  Vol. 15 No. 1 N.S. (2001)

  Expression and meaning  in art and architecture from Constantine to Justinian.

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  Vol. 32 No. 18 N.S. (2020)

  Ediderunt Mattia Biffis, Samuel Andrew Hardy, Christopher Prescott

  On cover:
  ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.
  Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770
  Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.

  ISSN (online version) 2611-3686

  ISSN (print version) 0065-0900