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Vol. 15 No. 1 N.S. (2001): Imperial art as Christian art - Christian art as Imperial art (TOC and abstracts)
Vol. 15 No. 1 N.S. (2001): Imperial art as Christian art - Christian art as Imperial art (TOC and abstracts)
Expression and meaning in art and architecture from Constantine to Justinian.
Published:
2020-02-25
Architettura come codice di trasmissione dell'immagine dell'imperatore, dai Severi all'età costantiniana
Federico Guidobaldi
13-26
Urban Space and Ritual: Constantinople in Late Antiquity
Franz Alto Bauer
27-61
Christian Emperors and Legacy of Imperial Art
Hans-Rudolf Meier
63-75
The Oratory of the Forty Martyrs: From Imperial Ante-Vestibule to Christian Room of Worship
Kirsti Gulowsen
77-91
The Ruler Image of the Fourth Century: Innovation or Tradition
Niels Hannestad
93-107
Constantine, the Lateran, and Early Church Building Policy
Olof Brandt
109-114
The Church Basilica
Dale Kinney
115-135
Imperial Connotations in Roman Church Interiors. The Significance and Effect of the Lateran Fastigium
Sible De Blaauw
137-146
Imperiale - cristiano - pagano - privato. Dal contesto al significato
Beate Brenk
149-162
The Emperor and the Icon
Thomas F. Mathews
163-177
The Anatomy of Late Roman Art. Interaction between Public and Private, Meaning and Image, Patron and Workshop
Laszlo Berczelli
179-191
Eastern or Western - that is the Question. Some Notes on the New Evidence concerning the Eastern Origin of the Halberstadt Diptych
Gudrun Bühl
193-203
Cristo e l'imperatore romano: i valori simbolici del nimbo
Agneta Ahlqvist
207-227
Adventus travels North. A Note in the Iconography of some Scandinavian Gold Bracteates
Gunilla Åkerström-Hougen
229-244
Ducks, Dolphins, and Portrait Medallions: Framing the Achilles Mosaic at Pedrosa de la Vega (Palencia)
Bente Killerich
245-267
A Terracotta Plaque in the Dumbarton Oaks Collection. Judgement scene or Congiarium?
Siri Sande
269-282
The Iconography of the Sarcophagus in S. Ambrogio. Hope for Salvation through the Word of Christ
Olaf Steen
283-294
Un décor de voûte controversé: L’ornementation “sassanide” d’une mosaïque de la Rotonde de Saint-Georges à Thessalonique
Hjalmar Torp
295-317
Le champ de la mosaïque décorant la voûte en berceau du passage sud, passage qui correspond à l’entrée primitive de l’église, présente une grande croix latine pattée insérée dans un décor qui, à côté d’un semis d’étoiles, comporte divers motifs communémen
Per Jonas Nordhagen
319-336
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