Narratives of the provenance of art and antiquities on the market and the reality of origins at the source
DOI:
https://doi.org/10.5617/acta.9022Emneord (Nøkkelord):
cultural property, provenance research, illicit antiquities trade, illicit trafficking of cultural goods, conflict antiquities trade, conflict financing, organized crimeSammendrag
This essay presents the findings of the International Conference on Handling of Cultural Goods and Financing of Political Violence and introduces provenance research that examines the market in Europe for antiquities from Asia and the market in North America for antiquities from Europe. It summarises findings, such as the involvement of violent political organisations, transnational organised criminals and politically-exposed persons (PEPs) in illicit trafficking of cultural objects. It also highlights some foundations for progress, such as enhanced traceability and due diligence in the art market, plus action and cooperation to respond to illicit flows as regional problems.
On cover:
ANNIBALE CARRACCI (BOLOGNA 1560 - ROME 1609), An Allegory of Truth and Time c. 1584-1585.
Oil on canvas | 130,0 x 169,6 cm. (support, canvas/panel/str external) | RCIN 404770
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021.
Nedlastinger
Publisert
Hvordan referere
Utgave
Seksjon
Lisens
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
Dette verket er lisensiert under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).