Vol. 18 No. 4 N.S. (2004): The "Demiourgos" (TOC and abstracts)

Published: 2017-12-04

• Movements and Views. Some Observations on the Organization of Space in Roman Domestic Architecture from the Late Republic to Early Medieval Times

  J. Rasmus Brandt

  11-53

• Santa Costanza at Rome and the House of Constantine

  W. Eugene Kleinbauer

  55-70

• After 410

  Brilliant Richares

  71-79

• Pagan Pinakes and Christian Icons. Continuity or Parallelism?

  Siri Sande

  81-100

• Baptism - The Divine Touch

  Geir Hellemo

  101-113

• The Transformation of Diocletian's Palace in the City of Split as a Chronological Question

  Tomislav Marasović

  115-129

• Un dittico "Longobardo"

  Carlo Bertelli

  131-138

• Immagini sacre a Roma tra VI e VII secolo. In margine al problema "Roma e Bisanzio"

  Valentino Pace

  139-156

• "When you behold these man, you see the whole year". A Study of Byzantine Pictorial Calendars, an Embryo of a Corpus

  Gunilla Åkerström-Hougen

  159-174

• Likeness and Icon: The Imperial Couples in Hagia Sophia

  Bente Killerich

  175-203

• Iconoclasm: Rupture or Interlude? A Reassessment of the Evidence

  Per Jonas Nordhagen

  205-215

• Thirty-four Years after "Leda Christiana". Misery and Splendour of the First Century of Coptic Art History

  László Török

  217-251

• Il tema della Creazione nell'arte e nel pesniero tra l'XI e il XIII secolo: indagini sull'iconografia del Creatore dopo lo Scisma

  Xenia Muratova

  255-274

• The Tomb od a Prelate from the Crusader Period in Jaffa and Five Fragments of an Ophistographic Marble Slab in the Ustinow Collection in Oslo

  Laszlo Berczelli

  275-288

• Niccolò di Tommaso of Florence, St Bridget of Sweden's First Painter

  Erling Skaug

  289-321

• An American in Medieval Paris. The Impact of Europe on Early American Collectors of Medieval Art

  Elizabeth Smith

  323-344