Tidiga syntetiska utställningar i naturhistoriska museer
DOI:
https://doi.org/10.5617/nm.3343Abstract
En intressant episod i de naturhistoriska museernas utställningars historia ägde på 1880-talet rum i det 1881 uppförda nya naturhistoriska museet i London. I en välbekant skildring har Kenneth Hudson gjort sina talrika läsare bekanta med hur läkaren Sir William Flower som direktör från år 1884 vid The Natural History Museum i London lanserade en ny utställningsprincip kallad the new museum idea. Den har stannat i vårt minne som ett program för största möjliga hänsyn till publikens intresse av upplysande, för lekmannen tillrättalagda utställningar. Man skulle visa särskilda skådesamlingar som var skilda från övriga samlingar. Hudson har också fäst uppmärksamheten på Flowers avsikt att i utställningarna belysa naturlagarna och evolutionen. Flowers idé var revolutionerande. Hudson fann att den emellertid inte fick någon tillämpning i de övriga stora naturhistoriska museerna i Europa. De uppfördes ungefär samtidigt som Londons naturhistoriska museum. Hudson gjorde ett kontrafaktiskt antagande: om de i stället uppförts efter museet i London, så skulle de under påverkan av Flowers exempel ha tagit upp och i sina utställningar fullföljt hans idé och därmed uppvisat ett långt mer tillfredsställande resultat. I U.S.A. däremot följde en gynnsammare utveckling.
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