Vol. 15 No. 1 N.S. (2001): Imperial art as Christian art - Christian art as Imperial art (TOC and abstracts)

Expression and meaning  in art and architecture from Constantine to Justinian.

Published: 2020-02-25

• Architettura come codice di trasmissione dell'immagine dell'imperatore, dai Severi all'età costantiniana

  Federico Guidobaldi

  13-26

• Urban Space and Ritual: Constantinople in Late Antiquity

  Franz Alto Bauer

  27-61

• Christian Emperors and Legacy of Imperial Art

  Hans-Rudolf Meier

  63-75

• The Oratory of the Forty Martyrs: From Imperial Ante-Vestibule to Christian Room of Worship

  Kirsti Gulowsen

  77-91

• The Ruler Image of the Fourth Century: Innovation or Tradition

  Niels Hannestad

  93-107

• Constantine, the Lateran, and Early Church Building Policy

  Olof Brandt

  109-114

• The Church Basilica

  Dale Kinney

  115-135

• Imperial Connotations in Roman Church Interiors. The Significance and Effect of the Lateran Fastigium

  Sible De Blaauw

  137-146

• Imperiale - cristiano - pagano - privato. Dal contesto al significato

  Beate Brenk

  149-162

• The Emperor and the Icon

  Thomas F. Mathews

  163-177

• The Anatomy of Late Roman Art. Interaction between Public and Private, Meaning and Image, Patron and Workshop

  Laszlo Berczelli

  179-191

• Eastern or Western - that is the Question. Some Notes on the New Evidence concerning the Eastern Origin of the Halberstadt Diptych

  Gudrun Bühl

  193-203

• Cristo e l'imperatore romano: i valori simbolici del nimbo

  Agneta Ahlqvist

  207-227

• Adventus travels North. A Note in the Iconography of some Scandinavian Gold Bracteates

  Gunilla Åkerström-Hougen

  229-244

• Ducks, Dolphins, and Portrait Medallions: Framing the Achilles Mosaic at Pedrosa de la Vega (Palencia)

  Bente Killerich

  245-267

• A Terracotta Plaque in the Dumbarton Oaks Collection. Judgement scene or Congiarium?

  Siri Sande

  269-282

• The Iconography of the Sarcophagus in S. Ambrogio. Hope for Salvation through the Word of Christ

  Olaf Steen

  283-294

• Un décor de voûte controversé: L’ornementation “sassanide” d’une mosaïque de la Rotonde de Saint-Georges à Thessalonique

  Hjalmar Torp

  295-317

• Le champ de la mosaïque décorant la voûte en berceau du passage sud, passage qui correspond à l’entrée primitive de l’église, présente une grande croix latine pattée insérée dans un décor qui, à côté d’un semis d’étoiles, comporte divers motifs communémen

  Per Jonas Nordhagen

  319-336